The Sculptors' Craft Workshop Reproduction and partial reconstruction of a wall painting showing a bustling craft workshop from the tomb of Nebamun and Ipuky dating to Dynasty 18. Purchase Print About the Artwork This reproduction depicts a bustling ancient Egyptian workshop from the shared tomb of Nebamun and Ipuky in Thebes, dating to the 18th Dynasty (c. 1390–1349 BC). The two men worked at Djeseret Iset, the Small Temple of Medinet Habu, and were trained in sculpting and engraving. They rose to the ranks of ‘Chief Sculptor in the Sacred Place’ and ‘Supervisor of the Balance’, overseeing the craft workshops. The scene illustrates artisans engaged in woodworking, metalworking, and jewellery-making under the supervision of the Chief Sculptor. It provides a wealth of information about the tools and manufacturing techniques used by the ancient craftsmen, which can be used to help interpret archaeological finds. The Chief Sculptor (Left) The largest figure, and therefore the most important, represents either Nebamun or Ipuky (he is unnamed to symbolise both men). Dressed in fine garments, he sits on an elaborate chair, inspecting the craftsmen’s handiwork, which is presented in woven baskets. The Woodworkers (Top Register) Craftsmen construct a catafalque, a platform for transporting the deceased’s mummy to the necropolis. They carve djed pillars and tyet knots into the structure, ensuring divine protection for the journey. The Goldworkers (Middle Register) Artisans skilfully shape gold and precious stones into vessels, statues, and intricate jewellery, demonstrating the workshop’s expertise in luxury craftsmanship. The Metalworkers (Bottom Register) Specialists weigh raw materials, smelt metals, and engrave objects. Their work includes polishing and refining materials to create fine finished products. The Specialist Craftsmen (Bottom Register) Three artisans focus on working with stone and glass, drilling beads, carving stone vases, and threading jewellery, highlighting the variety of skills present in the workshop. Art Ref DP075 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Tomb of Nebamun and Ipuky (TT181), Sheikh Abd el-Qurna Dimensions Current Location Tomb of Nebamun and Ipuky (TT181), Valley of the Nobles Object Number People Depicted Nebamun, Ipuky Deities Depicted None Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Offering Stela of Neskhons Reproduction of the painted wooden funerary stela of Neskhons, wife of the High Priest of Amun, Pinedjem II, dating to c. 965 BC (Dynasty 21). Purchase Print About the Artwork The Offering Stela of Neskhons is a remarkable example of 21st Dynasty funerary art, dating to approximately 965 BC. This painted wooden stela depicts Neskhons, the wife of the High Priest of Amun, Pinedjem II, presenting offerings to the god Osiris. The scene symbolises her desire to gain Osiris’ protection and secure a favourable place in the afterlife. Funerary stelae served as symbolic gateways between the realms of the living and the dead. These artefacts were designed to facilitate communication with the gods, ensuring the deceased's safe passage and ongoing protection in the afterlife. Often placed in tomb chapels or other sacred spaces, they provided a focal point for family members or priests to recite prayers and perform rituals, actions believed to sustain and strengthen the deceased’s presence in the afterlife. Neskhons’ stela depicts a richly laden offering table with bread, birds, meat, and flowers, essential provisions for her ka (spiritual essence). These offerings symbolised the nourishment she required in the afterlife and reinforced the belief that sustenance could be perpetually supplied, either through physical offerings made by her family or symbolically through the stela’s imagery. Translation Seven vertical columns of hieroglyphs above the scene identify the god as Osiris with epithets and Neskhons as: “The Osiris the great head of the first troupe of Amun-Ra king of the gods, the god's servant of Khnum lord of the First Cataract, king's son of Kush, overseer of the southern hill-lands, god's servant of the Lady of Offerings of Serudet, head of noblewomen Neskhons, true of voice.” Art Ref DP115 Read My Article Available to purchase as Giclée Print Object Record Object Type Stela Materials Wood Date c. 1070–945 BC Period Dynasty 21, Third Intermediate Period Findspot Petrie Museum of Egyptian and Sudanese Archaeology Dimensions Height 39.5 cm Current Location Petrie Museum of Egyptian and Sudanese Archaeology Object Number UC14226 People Depicted Neskhons Deities Depicted Osiris Animals Depicted None Themes Deities, Offerings Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Khepri and Thoth’s Sacred Baboons Reproduction of a relief panel of a sacred scene rich in solar and lunar symbolism dating to approximately 380–343 BC, during the Late Period–early Ptolemaic era. Purchase Print About the Artwork This ancient Egyptian relief panel presents a sacred scene rich in solar and lunar symbolism. At its centre is Khepri, the scarab beetle deity associated with the rising sun, transformation, and rebirth. Flanking him are two baboons, creatures sacred to the god Thoth, who offer Wadjet eyes in an act of devotion and restoration. The depiction of the baboons with fanned fingertips is characteristic of 30th Dynasty art, allowing us to date this relief to approximately 380–343 BC, during the Late Period–early Ptolemaic era. At the heart of the composition, Khepri is shown holding a star within a circular disk, a symbol of the Duat—the underworld and the realm of transformation before rebirth. In ancient Egyptian cosmology, the scarab beetle was seen as a manifestation of the sun as it emerged each morning from the darkness of the netherworld. Beneath Khepri, a large sun disk emits cascading rays, reinforcing the theme of divine renewal and cosmic order. The two baboons, commonly depicted in ancient Egyptian art as heralds of the dawn, are directly linked to Thoth, the god of wisdom, writing, and time. Their presentation of the Wadjet (Eye of Horus) to Khepri suggests an act of restoration, aligning with Thoth’s role in healing and maintaining divine balance. The Wadjet itself symbolises protection, health, and completeness, reinforcing the theme of cosmic stability. Each baboon wears a shen ring atop its head, a hieroglyphic symbol of eternity, which may also serve as a stylised representation of the lunar disk and crescent often associated with Thoth’s sacred baboons. This connection to the moon further ties the imagery to the cyclical nature of time and celestial balance, as Thoth governed both lunar and solar aspects of ancient Egyptian cosmology. Art Ref DP041 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 30 Findspot Unprovenanced Dimensions Current Location Metropolitan Museum of Art Object Number People Depicted Deities Depicted Khepri, Thoth (Djhutey), Eye of Horus Animals Depicted Baboon, Beetle Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Feast of Nebamun: Singing in Celebration Reproduction of a feasting scene from the tomb chapel of Nebamun in Thebes, Egypt, now on display in the British Museum. Purchase Print About the Artwork Reproduction of a feasting scene from the tomb chapel of Nebamun in Thebes, Egypt, now on display in the British Museum. It shows a group of female musicians playing instruments, singing and clapping as they perform a song for the feast-goers. Art Ref DP038 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Tomb-Chapel of Nebamun, Theban Necropolis Dimensions Current Location British Museum Object Number People Depicted Nebamun Deities Depicted None Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Userhat Beneath the Sycamore Tree Adapted reproduction of a painting from the Tomb of Userhat in Thebes, Egypt dating to c. 1270 BC. Purchase Print About the Artwork Adapted reproduction of a painting from the Tomb of Userhat in Thebes, Egypt dating to c. 1270 BC. In this scene, the deceased Userhat sits with his wife and mother in the shade of a colourful sycamore tree and drinks from three golden vessels. Before them is a table laden with offerings of fruit, vegetables and flowers, whilst their souls in the form of Ba-birds fly above their heads. Art Ref DP057b Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Wall Relief Materials Date Period Dynasty 19 Findspot Tomb of Userhat (TT56), Thebes, Theban Necropolis Dimensions Current Location Tomb of Userhat (TT51) Object Number People Depicted Userhat, Hatshepsut, Tausret Deities Depicted None Animals Depicted Bird Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Anubis Guarding the Tomb of Pashedu Reproduction of a tomb painting from the Tomb of Pashedu in the worker's village of Deir el-Medina. Purchase Print About the Artwork Reproduction of a tomb painting from the Tomb of Pashedu in the worker's village of Deir el-Medina. The corridor to the burial chamber is guarded by a large painting on either wall of the god Anubis in the form of a black jackal, sitting alert on a shrine with cavetto cornices. Since the first dynasty of Egypt’s history in c. 3100 BC, Anubis was being depicted as a protector of graves Art Ref DP073 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Wall Relief Materials Date Period Dynasty 19 Findspot Tomb of Pashedu (TT3), Deir el-Medina Dimensions Current Location Tomb of Pashedu (TT3), Deir el-Medina Object Number People Depicted Pashedu Deities Depicted Anubis Animals Depicted Jackal Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Hathor and Opet (Spell 186, Book of the Dead) Reproduction of an illustration of Chapter 186 of the Book of the Dead buried with the Royal Scribe Ani c. 1250 BC. Purchase Print About the Artwork Reproduction of an illustration of Chapter 186 of the Book of the Dead buried with the Royal Scribe Ani c. 1250 BC. It shows two protective goddesses welcoming Ani to his final resting place, a white pyramidion-topped private tomb nestled within the pink cliffs of the Theban desert. The goddess Hathor can be seen in her cow form emerging from a thicket of papyrus and is joined by the benign hippopotamus goddess Opet. Art Ref DP052 Read My Article Available to purchase as Giclée Print Object Record Object Type Papyrus Materials Date Period Dynasty 19 Findspot Theban Necropolis Dimensions Current Location British Museum Object Number People Depicted Ani, Tutu Deities Depicted Hathor, Opet Animals Depicted Cow, Hippo Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Explore Natalie Watson’s portfolio of ancient Egyptian art reproductions. See authentic, hand-drawn scenes inspired by museum originals, tombs, and temples. A showcase of artistry and historical detail. Stock Authentic Ancient Egyptian Reproduction Art in Your Shop Are you looking to offer beautifully researched, museum-quality ancient Egyptian art in your shop or gallery? I work with museums, cultural attractions, and independent retailers to supply a range of illustrated products inspired by genuine ancient artefacts. My work is currently stocked by renowned institutions including the British Museum, World Museum Liverpool, and the Manchester Museum, alongside high street gift shops and heritage venues across the UK. What’s Available I offer over 100 unique designs based on original ancient Egyptian artworks. These are available as: Fine Art Prints Square, A-size, and Panoramic formats Printed on 310gsm museum-grade Canson® Rag Photographique paper Mounted with acid-free card, wrapped in biodegradable cellophane Multiple sizes available (from A6 to A1, and 8x8" to 30x30") Greeting Cards Available in square, A5, and 5x7" formats Printed on 100% recycled FSC® certified paper Blank inside with artwork info on the reverse Includes white envelope and eco-friendly packaging Bookmarks & Postcards Double-sided bookmarks on 400gsm card High-quality postcards featuring selected designs All items packed in biodegradable sleeves Visit my product guide . A full catalogue and order form are available to download below. Catalogue Order Form Custom Illustration for Retail & Displays In addition to my retail collection, I offer bespoke illustration services for: Exclusive museum merchandise Interpretive panels or displays Educational publications and visitor guides Engagement and learning resources Whether you need a set of custom postcards for an exhibition or a unique illustration for a shop-exclusive product, I can work with you to create something meaningful, accurate, and visually compelling. How to Order The process is simple and flexible: 1. Browse the Catalogue: Choose from over 100 existing artworks in a variety of formats. 2. Submit Your Order Form: Email your completed form or use the contact form below to request a quote. 3. Receive an Estimate: I’ll confirm availability and send a tailored estimate for your approval. 4. Delivery Within 10–15 Days: Once approved, your order is carefully packaged and shipped. 5. Easy Payment Terms: Invoices are issued on delivery with 30-day payment terms. Request a Quote or Start a Conversation If you're interested in stocking my work or commissioning a custom design, get in touch , I’d love to hear from you. First Name Last Name Email Subject Give me details of what you're looking for Upload your order form Upload Form Upload supported file (Max 15MB) I want to subscribe to the newsletter. View terms of use Submit Thanks for submitting! As stocked by Frequently asked questions What materials do you use for your reproductions? I use high-quality archival paper and fade-resistant inks to make sure my reproductions closely resemble the original ancient artworks. How should I care for my fine art prints? To keep your fine art prints looking their best, avoid direct sunlight and moisture. Framing them with UV-protective glass is highly recommended. What shipping options do you offer? I offer both standard (5-7 business days) and express (2-3 business days) shipping options. Choose your preferred method at checkout. Can you ship internationally? Yes, I ship internationally to most countries. Shipping costs and delivery times vary by destination. Please check our shipping policy for more details. Which payment methods do you accept? I accept credit cards, PayPal, and Apple Pay. All transactions are securely processed to protect your information.

The Triad of Memphis Reproduction of a vignette from the Great Harris Papyrus which recorded the deeds of king Ramesses III in c. 1150 BC (Dynasty 20). Purchase Print About the Artwork This reproduction captures a vignette from the Great Harris Papyrus, a memorial document produced following the death of Rameses III (c. 1184-1153 BC) by his son Ramesses IV. In this vignette, Ramesses III stands before the holy family of the ancient city of Memphis: Ptah, the patron of craftsmen, his consort the lion-headed goddess Sekhmet, and their child, Nefertum, god of the lotus. The king is shown making offerings to the resident deities, with hieratic text identifying each of the figures and recording his address to Ptah and the Memphite Triad. The king is identified by his two chief names given in cartouches above him: Lord of the Two Lands, Usermaatre Meryamun (Strong is the Maat of Re, beloved of Amun) Lord of Appearances Ramessu heqa Iunu (Ramesses, ruler of Heliopolis) He is making a gesture indicating he is speaking to the gods before him, and the two columns of hieratic record his words: I tell the prayers, praises, adorations, laudations, mighty deeds, and benefactions, which I did for you in your presence, O Resi-inebef (South-of-His-Wall) Ramesses is facing Ptah, the chief deity of Memphis, who is labelled with stands on a dais in the shape of the symbol Maat. The writing provides the god’s chief names: Ptah the great “South-of-His-Wall”, Lord of “Life-of-the-Two-Lands” Standing behind Ptah is his consort, the lion-headed goddess Sekhmet, who is labelled as: Sekhmet the great, beloved of Ptah The third member of the divine family is the holy child of the triad, who is introduced as: Nefertem, protector of the Two Lands Art Ref DP078 Read My Article Available to purchase as Giclée Print Object Record Object Type Papyrus Materials Date Period Dynasty 20 Findspot Thebes Dimensions Current Location British Museum Object Number People Depicted Ramesses III Deities Depicted Ptah, Sekhmet, Nefertem Animals Depicted Lion Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Ramesses II in his War Chariot Reproduction of a wall relief from the Great Temple at Abu Simbel dating to the reign of Ramesses II in c. 1250 BC (Dynasty 19). Purchase Print About the Artwork This reproduction is a reconstruction of a relief from the Great Temple of Abu Simbel. It is one of many scenes in the Great Hypostyle Hall glorifying Ramesses II's military achievements. It likely depicts a moment from the Battle of Kadesh, one of the most famous military campaigns in ancient Egypt, and is designed to glorify the king’s divine authority and military prowess. Central to the composition is Ramesses, standing tall in his war chariot with a drawn bow, embodying his roles as both warrior and leader. His ceremonial blue crown, the Khepresh, shows his personal involvement and command during battle. His lightweight, two-wheeled chariot, a hallmark of New Kingdom warfare, is pulled by two galloping horses shown in dynamic motion. Engineered for speed and agility, the chariot enabled superior manoeuvrability in combat. The horses, adorned with plumed headdresses and depicted as strong and muscular, represent both the wealth of the pharaoh and the divine favour supporting his victories. The fortified town under assault appears on a hill to the left, symbolising its strategic importance yet inevitable vulnerability. Chaos reigns within the fortification: defenders surrender, an archer flees with cattle, and on the highest tier, a woman lifts a child in a plea for mercy while a man offers submission. This vivid portrayal of defeat demonstrates Ramesses’s unyielding might to all who view the scene. Translation – Words Above the Horse The Good God, son of Amun, Valorous(?), Lord of Might, who protects his army, the strong fighter, who knows his obligation, steady on the chariot like the Lord of Thebes, Lord of Victory, who battles tens of thousands, strong bull among the multitudes, beating the united (confederacy) and crushing the rebels upon the mountains. They enter into their valley like locusts, may you put [your] slaughter in their place, you annihilate their descendants, Oh King, victorious of might! Translation – Cartouches User Maat Ra, setep en Ra (“The justice of Ra is powerful, chosen of Ra”) Ramessu mery Amun (“Ra has fashioned him, beloved of Amun”) Art Ref DP110 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 19, New Kingdom Findspot Great Temple of Ramesses II, Abu Simbel Dimensions Current Location Great Temple of Ramesses II, Abu Simbel Object Number People Depicted Ramesses II Deities Depicted None Animals Depicted Horse Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Hathor in the Mountains Reproduction of an illustration from Chapter 186 of the Book of the Dead, discovered in the burial of the Royal Scribe Ani from c. 1250 BC. Purchase Print About the Artwork Reproduction of an illustration from Chapter 186 of the Book of the Dead, discovered in the burial of the Royal Scribe Ani from c. 1250 BC. In this depiction, the goddess Hathor manifests in her sacred cow form, emerging from a thicket of papyrus amidst the pink cliffs of the Theban desert. Hathor, associated with music, dance, and fertility, was revered as a nurturing and protective deity in ancient Egyptian religion. The imagery symbolises Hathor's connection to the natural world and her role in guiding souls through the afterlife. Art Ref DP086 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Papyrus Materials Date Period Dynasty 19 Findspot Theban Necropolis Dimensions Current Location British Museum Object Number People Depicted Deities Depicted Hathor Animals Depicted Cow Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Goddess Nekhbet in Vulture Form Reproduction of the vulture-form Goddess Nekhbet, originating from the Mortuary Temple of Hatshepsut at Deir el-Bahri. Purchase Print About the Artwork Reproduction of the Goddess Nekhbet in vulture form taken from the Mortuary Temple of Hatshepsut at Deir el-Bahri. Nekhbet, often depicted as a vulture, held significant importance in ancient Egyptian religion as a protective deity, particularly associated with Upper Egypt. Her representation adorned sacred spaces, symbolising protection and divine guardianship over the pharaoh and the land. The vulture imagery evoked the nurturing and watchful aspects of the goddess, emphasising her role in safeguarding the king and ensuring the prosperity of the kingdom. Art Ref DP044 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Mortuary Temple of Hatshepsut, Deir el-Bahri Dimensions Current Location Mortuary Temple of Hatshepsut Object Number People Depicted Hatshepsut Deities Depicted Nekhbet Animals Depicted Vulture Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.