Lessons in Archery Reproduction of a stone block from the Pyramid causeway of King Sahure showing an archer in training guided by an instructor in three scenes. Purchase Print About the Artwork Reproduction of a stone block from the Pyramid causeway of King Sahure showing an archer in training guided by an instructor in three scenes. At 4,500 years old, this is one of the earliest depictions in ancient Egypt of soldiers being trained. Each pair consists of a student in a loincloth practising against an instructor in a kilt. The hieroglyphics show the instructor's words of encouragement and direction. Art Ref DP106 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 05, Old Kingdom Findspot Pyramid of Sahure, Saqqara Necropolis Dimensions Current Location Saqqara Necropolis Object Number People Depicted Deities Depicted None Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Winged Goddess Maat Reproduction of a wall painting of the winged goddess Maat from the Tomb of Siptah (KV47), dating to c. 1197–1191 BC (Dynasty 19). Purchase Print About the Artwork KV47 is the burial place of pharaoh Siptah Akhenre Setepenre, who ruled c. 1197-1191 BC during Dynasty 19. As with most tombs in the Valley of the Kings, it was largely unfinished and undecorated when the king died, but the outer corridors were plastered and decorated to a high standard. This artwork, found in Corridor B of the tomb, depicts the winged goddess Maat, the divine embodiment of order, truth, justice, and balance. She is shown kneeling on a basket, her wings spread wide in a gesture of divine protection around the royal cartouches of Siptah, flanked by the shen ring, a symbol of eternity and unending protection. This composition is rich in both symbolism and language. The image of Maat is not only a religious figure but also a hieroglyphic representation of her own name. In ancient Egyptian writing, the name Maat was spelled using a combination of symbols: the ostrich feather she wears on her head (the primary symbol of the concept), a seated or kneeling woman (indicating a goddess), and often a basket beneath her, which is the hieroglyph “nb,” meaning “all” or “lord.” When shown together, as in this artwork, these elements function both as a depiction of the goddess and as a hieroglyphic spelling of her name. It is a striking example of how ancient Egyptian art and writing were deeply intertwined, blending image, word, and meaning into a single sacred form. Maat was essential to the Egyptian worldview: her presence upheld the stability of the universe and society, while her absence brought isfet - chaos, injustice, and imbalance. She also played a central role in the afterlife, where the heart of the deceased was weighed against her feather in the judgment of the soul. This image, then, does more than adorn the tomb: it invokes Maat’s power to protect the king’s name, affirm his moral worth, and preserve cosmic order into eternity. Art Ref DP117 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Painting Materials Limestone, Pigment, Plaster Date c. 1197–1191 BC Period Dynasty 19, New Kingdom Findspot Tomb of Siptah (KV47), Valley of the Kings, Thebes Dimensions Current Location Tomb of Siptah (KV47), Valley of the Kings, Thebes Object Number People Depicted None Deities Depicted Maat Animals Depicted None Themes Deities Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Explore Natalie Watson’s portfolio of ancient Egyptian art reproductions. See authentic, hand-drawn scenes inspired by museum originals, tombs, and temples. A showcase of artistry and historical detail. Bringing Ancient Art Back to Life Each of my reconstruction projects begins with damaged, incomplete, or fragmentary ancient Egyptian art, and the challenge of imagining how it once looked in its prime. Using meticulous research, an understanding of ancient techniques, and a deep respect for the original creators, I restore lost colours, repair missing details, and reassemble scattered fragments. The results not only revive the visual splendour of the past but also help modern audiences and researchers see these works as they were meant to be seen. Restoring details and colour to damaged art Cut into the limestone cliffs of the Sheikh-Abd-el-Gournah necropolis is the tomb of Nebamun and Ipuky (TT181), sculptors at the Small Temple of Medinet Habu. Left incomplete, the tomb faced deterioration from flooding, mudslides, and vandalism, resulting in the deliberate removal or irreparable damage to its original decoration. In a meticulous restoration, I revived a compelling scene portraying the Chief Sculptor overseeing a bustling workshop. This tableau provides glimpses into daily life and valuable insights into ancient craftsmen's tools and techniques, aiding in the interpretation of archaeological discoveries. Read More Reapplying the layers of paint and decoration The Abydos King List, intricately carved into the walls of Seti I's Great Temple at Abydos, meticulously records the names of 76 rulers within cartouches, spanning a historical timeline of the preceding 1,600 years. Originally, the wall reliefs were adorned with vibrant paint, employing a standard palette of colours, a technique preserved on reliefs in other sections of the temple. In my reconstruction, I meticulously reapplied the paint layer, creating a vivid and colourful restoration that revives the original brilliance of the artwork. Read More Repairing the work of vandals Userhat, a wab-priest in the Temple of Thutmosis I, commissioned the creation of a sumptuously decorated tomb in Thebes (TT51). Revered as among the finest examples of Dynasty 19 art, the tomb's decoration showcases the opulence of Userhat's era. Unfortunately, the paintings within the Tomb of Userhat faced significant degradation over time, largely attributed to vandalism. In restoring this artwork, I have meticulously revived its original splendour, addressing not only gaps now filled with concrete but also remedying faded and flaking paint. Read More Restoring whole scenes from fragments This fresco, originally part of the lost Tomb of Nebamun, suffered the unfortunate fate of being forcibly removed from the tomb walls by unscrupulous archaeologists and antiquities dealers. Despite this loss, the surviving fragments of the chapel's decoration offer glimpses into the original artwork's magnificence and opulence. In this reconstruction, I have painstakingly pieced together the artwork based on three fragments that Egyptologists believe originated from the same painting, endeavouring to restore and capture the grandeur of the initial masterpiece. Read More

Isis and Nephthys Protect Tutankhamun Reproduction and colourisation of a scene from the rear panel of the second golden shrine of Tutankhamun, dating to 1324 BC. Purchase Print About the Artwork Reproduction and colourisation of a scene from the rear panel of the second golden shrine of Tutankhamun, dating to 1324 BC. The sister goddesses Isis and Nephthys stretch out their protective wings to encircle the dead king. They recite spells that emphasise the rejuvenation and protection of Tutankhamun in the afterlife, whose names are given in cartouches. Art Ref DP092 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Shrine Materials Date Period Dynasty 18 Findspot Tomb of Tutankhamun (KV62), Valley of the Kings Dimensions Current Location Cairo Museum Object Number People Depicted Tutankhamun Deities Depicted Isis, Nephthys Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Goddess Nekhbet in Vulture Form Reproduction of the vulture-form Goddess Nekhbet, originating from the Mortuary Temple of Hatshepsut at Deir el-Bahri. Purchase Print About the Artwork Reproduction of the Goddess Nekhbet in vulture form taken from the Mortuary Temple of Hatshepsut at Deir el-Bahri. Nekhbet, often depicted as a vulture, held significant importance in ancient Egyptian religion as a protective deity, particularly associated with Upper Egypt. Her representation adorned sacred spaces, symbolising protection and divine guardianship over the pharaoh and the land. The vulture imagery evoked the nurturing and watchful aspects of the goddess, emphasising her role in safeguarding the king and ensuring the prosperity of the kingdom. Art Ref DP044 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Mortuary Temple of Hatshepsut, Deir el-Bahri Dimensions Current Location Mortuary Temple of Hatshepsut Object Number People Depicted Hatshepsut Deities Depicted Nekhbet Animals Depicted Vulture Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Feast of Nebamun: Dancing in Celebration Reproduction of a scene from the tomb chapel of Nebamun in Thebes, c. 1350 BC. Purchase Print About the Artwork Reproduction of a scene from the tomb chapel of Nebamun in Thebes, c. 1350 BC. Two women perform a graceful dance to entertain guests, surrounded by wine jugs adorned with floral garlands and grapevines—an enduring symbol of joy and prosperity in ancient celebrations. Art Ref DP116 Read My Article Available to purchase as Greeting Card Object Record Object Type Wall Painting Materials Limestone, Plaster, Pigment Date c. 1350 BC Period Dynasty 18, New Kingdom Findspot Tomb-Chapel of Nebamun, Theban Necropolis Dimensions Current Location British Museum Object Number EA37984 People Depicted Nebamun Deities Depicted None Animals Depicted None Themes Celebration, Feasting Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Hathor in the Mountains Reproduction of an illustration from Chapter 186 of the Book of the Dead, discovered in the burial of the Royal Scribe Ani from c. 1250 BC. Purchase Print About the Artwork Reproduction of an illustration from Chapter 186 of the Book of the Dead, discovered in the burial of the Royal Scribe Ani from c. 1250 BC. In this depiction, the goddess Hathor manifests in her sacred cow form, emerging from a thicket of papyrus amidst the pink cliffs of the Theban desert. Hathor, associated with music, dance, and fertility, was revered as a nurturing and protective deity in ancient Egyptian religion. The imagery symbolises Hathor's connection to the natural world and her role in guiding souls through the afterlife. Art Ref DP086 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Papyrus Materials Date Period Dynasty 19 Findspot Theban Necropolis Dimensions Current Location British Museum Object Number People Depicted Deities Depicted Hathor Animals Depicted Cow Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Burial Chamber of Tutankhamun Reproduction of a painting on the north wall of the burial chamber of Tutankhamun dating to Dynasty 18, c. 1325 BC. Purchase Print About the Artwork Reproduction of a painting on the north wall of the burial chamber of Tutankhamun dating to Dynasty 18, c. 1325 BC. It shows how Tutankhamun journeyed into the afterlife in three acts. In the first act, his mummy is prepared for the afterlife, in the second he meets the goddess of the sky Nut, and in the third, he is embraced by Osiris, the god of the underworld. Art Ref DP072 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Tomb of Tutankhamun (KV62), Valley of the Kings Dimensions Current Location Tomb of Tutankhamun (KV62), Valley of the Kings Object Number People Depicted Tutankhamun, Ay Deities Depicted Nut, Osiris Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Feast of Nebamun: Celebrating Guests Reproduction of a feasting scene from the 18th Dynasty tomb chapel of Nebamun in Thebes. Purchase Print About the Artwork Reproduction of a feasting scene from the 18th Dynasty tomb chapel of Nebamun in Thebes. The plastered walls of the scribe's tomb were richly and skilfully decorated with lively fresco paintings, depicting idealised views of Nebamun’s life and activities. An entire wall shows a banquet in his honour. Naked serving girls and servants wait on his friends, colleagues and relatives, who are entertained by musicians and dancers. Art Ref DP002 Read My Article Available to purchase as Giclée Print Object Record Object Type Wall Relief Materials Date Period Dynasty 18 Findspot Tomb-Chapel of Nebamun, Theban Necropolis Dimensions Current Location British Museum Object Number People Depicted Nebamun Deities Depicted None Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

The Protective Wings of Isis Reproduction of the ancient Egyptian goddess Isis, with protective wings outstretched, taken from the golden shrine of Tutankhamun dating to 1324 BC. Purchase Print About the Artwork Reproduction of the ancient Egyptian goddess Isis, with protective wings outstretched, taken from the golden shrine of Tutankhamun dating to 1324 BC. The hieroglyphics surrounding the goddess are spells from the Book of the Dead and Tutankhamun’s various names and titles are given in cartouches. Art Ref DP008 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Shrine Materials Date Period Dynasty 18 Findspot Tomb of Tutankhamun (KV62), Valley of the Kings Dimensions Current Location Cairo Museum Object Number People Depicted Tutankhamun Deities Depicted Isis Animals Depicted Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.

Explore Natalie Watson’s portfolio of ancient Egyptian art reproductions. See authentic, hand-drawn scenes inspired by museum originals, tombs, and temples. A showcase of artistry and historical detail. “...as my eyes grew accustomed to the light, details of the room within emerged slowly from the mist, strange animals, statues, and gold - everywhere the glint of gold. For the moment - an eternity it must have seemed to the others standing by - I was struck dumb with amazement, and when Lord Carnarvon, unable to stand the suspense any longer, inquired anxiously, 'Can you see anything?' it was all I could do to get out the words, 'Yes, wonderful things.” - Howard Carter’s account of the opening of the Tomb of Tutankhamun Reproductions Filter by Date Filter by Object Type Filter by Findspot Filter by People Filter by Deities Filter by Current Location Ahmose, Son of Ebana Elkab Reproduction shows a wall painting from the tomb of Ahmose, son of Ebana, at Elkab (c. 1550–1525 BC, early Dynasty 18). Ahmose, a naval officer, inscribed one of the most detailed military autobiographies from ancient Egypt, recording his service in the wars that expelled the Hyksos. At his feet stands his grandson Pahery, a scribe of Amun, shown here overseeing the commemoration of his grandfather’s deeds. Read More Purchase Catching Birds With a Clap-Net Saqqara Necropolis My reproduction of a wall relief from the Tomb of Neferiretnes, later usurped by Raemkai, dating to the 5th Dynasty (c. 2446–2389 BC). It forms part of a larger composition surrounding the tomb’s False Door and depicts a group of men catching birds in the Nile marshes using a clap-net. Their catch is then presented as an offering to the tomb owner, intended to provide eternal sustenance in the afterlife. Read More Purchase Lady Tjepu Tomb of Nebamun and Ipuky (TT181), Sheikh Abd el-Qurna, Thebes Reproduction of a wall painting of the noblewoman Tjepu from the Tomb of Nebamun and Ipuky (TT181), dating to c. 1390–1353 BC (Dynasty 18). Tjepu is shown standing with one hand raised in a gesture of reverence and the other holding a menat necklace, a ceremonial object linked to the goddess Hathor. Though she was likely around forty when this image was painted, Tjepu is shown as eternally youthful, in line with Egyptian ideals of the afterlife. Read More Purchase Dance for Hathor Tomb of the Dancers, Dra Abu el-Naga, Thebes Reproduction of a fragment of wall painting from the Tomb of the Dancers, discovered at Dra Abu el Naga, dating to c. 1630–1550 BC (Dynasty 17). It shows a group of women mid-dance, arms raised, fingers snapping in rhythm. It likely formed part of a festival or ceremonial performance honouring Hathor, the goddess of music, dance, joy, and fertility. Read More Purchase The Winged Goddess Maat Tomb of Siptah (KV47), Valley of the Kings, Thebes Reproduction of a wall painting of the winged goddess Maat from the Tomb of Siptah (KV47), dating to c. 1197–1191 BC (Dynasty 19). Maat, the goddess of truth, balance, and cosmic order, kneels atop a basket, her wings outstretched in divine protection. Between them, the royal cartouches of Pharaoh Siptah are accompanied by the shen symbol, representing eternity and infinite protection. Read More Purchase The Feast of Nebamun: Dancing in Celebration Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a scene from the tomb chapel of Nebamun in Thebes, c. 1350 BC. Two women perform a graceful dance to entertain guests, surrounded by wine jugs adorned with floral garlands and grapevines—an enduring symbol of joy and prosperity in ancient celebrations. Read More Purchase Offering Stela of Neskhons Petrie Museum of Egyptian and Sudanese Archaeology Reproduction of the painted wooden funerary stela of Neskhons, wife of the High Priest of Amun, Pinedjem II, dating to c. 965 BC (Dynasty 21). It depicts Neskhons presenting offerings to the god Osiris to gain his protection in the afterlife. The stela is displayed at the Petrie Museum of Egyptian and Sudanese Archaeology. Read More Purchase Sekhet Aaru, the Field of Reeds Tomb of Sennedjem (TT1), Deir el-Medina Reproduction of a vignette from a wall painting from the Tomb of Sennedjem (TT1) in Deir el-Medina dating to Dynasty 19. It shows Sennedjem and his wife, Iyneferti, in the serene afterlife of Sekhet-Aaru (the Field of Reeds), where they joyfully tend the fertile fields granted to them by Osiris. Read More Purchase Harvesting in Sekhet Aaru Tomb of Sennedjem (TT1), Deir el-Medina Reproduction of a vignette from a wall painting from the Tomb of Sennedjem (TT1) in Deir el-Medina dating to Dynasty 19. It shows Sennedjem and his wife, Iyneferti, in the serene afterlife of Sekhet-Aaru (the Field of Reeds), where they joyfully tend the fertile fields granted to them by Osiris. In this scene, they are harvesting golden wheat. Read More Purchase Tending Crops in Sekhet Aaru Tomb of Sennedjem (TT1), Deir el-Medina Reproduction of a vignette from a wall painting from the Tomb of Sennedjem (TT1) in Deir el-Medina dating to Dynasty 19. It shows Sennedjem and his wife, Iyneferti, in the serene afterlife of Sekhet-Aaru (the Field of Reeds), where they joyfully tend the fertile fields granted to them by Osiris. Read More Purchase Ploughing in Sekhet Aaru Tomb of Sennedjem (TT1), Deir el-Medina Reproduction of a vignette from a wall painting from the Tomb of Sennedjem (TT1) in Deir el-Medina dating to Dynasty 19. It shows Sennedjem and his wife, Iyneferti, in the serene afterlife of Sekhet-Aaru (the Field of Reeds), where they joyfully tend the fertile fields granted to them by Osiris. In this scene, they are ploughing the soil and sowing seeds. Read More Purchase Ramesses II in his War Chariot Great Temple of Ramesses II, Abu Simbel Reproduction of a wall relief from the Great Temple at Abu Simbel dating to the reign of Ramesses II in c. 1250 BC (Dynasty 19). This relief from the Great Temple of Abu Simbel is one of many scenes in the Great Hypostyle Hall glorifying Ramesses II's military achievements. It shows the king in his chariot being pulled by two horses in full regalia, attacking a fortified town. It likely represents scenes from the Battle of Kadesh, one of the most famous military campaigns in ancient Egypt. Read More Purchase Tutankhamun and Ankhesenamun Amongst the Vines Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction of a scene from a casket found in the Tomb of Tutankhamun dating to c. 1336-1327 BC (Dynasty 18). On the casket's lid is a glorious scene depicting the royal couple in a pavilion bedecked with festoons of flowers, fruit and creeping vines bearing bunches of grapes. The king, leaning slightly on his walking-staff, accepts bouquets of lotus and papyrus flowers from his wife, Ankhesenamun. Read More Purchase Pharaoh Ramesses II as a Young Boy Great Temple of Seti I, Abydos Reproduction of a carving of Pharaoh Ramesses II as a young boy, taken from the Seti's Great Temple of Abydos. It shows Ramesses with an intricate wig and sidelock of hair, denoting his youth. Read More Purchase Fighting With Sticks Pyramid of Sahure, Saqqara Necropolis Reproduction of a stone block from the Pyramid causeway of King Sahure showing soldiers training in the art of stick fighting. At 4,500 years old, this is one of the earliest depictions in ancient Egypt of soldiers being trained. Each pair consists of a student in a loincloth practising against an instructor in a kilt. The hieroglyphics show the instructor's words of encouragement and direction. Read More Purchase Lessons in Archery Pyramid of Sahure, Saqqara Necropolis Reproduction of a stone block from the Pyramid causeway of King Sahure showing an archer in training guided by an instructor in three scenes. At 4,500 years old, this is one of the earliest depictions in ancient Egypt of soldiers being trained. Each pair consists of a student in a loincloth practising against an instructor in a kilt. The hieroglyphics show the instructor's words of encouragement and direction. Read More Purchase 30 Gods and Goddesses Thirty of the major gods and goddesses of the ancient Egyptian pantheon are shown with their modern names and their names in the ancient Egyptian language. It includes Amun, Anubis, Bastet, Geb, Hapi, Hathor, Heqet, Horus, Imentet, Isis, Khepri, Khnum, Khonsu, Maat, Montu, Neith, Nekhbet, Nephthys, Nut, Osiris, Ptah, Ra, Sekhmet, Serket, Seshat, Seth, Sobek, Taweret, Thoth, and Wadjet. Read More Purchase Pantheon of the Goddesses 15 of the major goddesses of the ancient Egyptian pantheon are shown with their modern names and their names in the ancient Egyptian language. It includes Bastet, Hathor, Heqet, Imentet, Isis, Maat, Neith, Nekhbet, Nephthys, Nut, Sekhmet, Serket, Seshat, Taweret and Wadjet. Read More Purchase Pantheon of the Gods 15 of the major gods of the ancient Egyptian pantheon, shown with their modern names, and their names in the ancient Egyptian language. It includes Amun, Anubis, Geb, Hapi, Horus, Khepri, Khnum, Khonsu, Osiris, Montu, Ptah, Ra, Seth, Sobek and Thoth. Read More Purchase Two Brothers: The Coffins of Nakhtankh and Khnumnakht Tomb of Two Brothers, Deir Rifeh Reproduction of the inner coffins belonging to brothers Khnumnakht (left) and Nakhtankh (right) who lived during Dynasty 12. Found in the Tomb of the Two Brothers, these coffins are adorned with vivid hieroglyphs, protective symbols, and intricate motifs, reflecting the brothers’ journey to the afterlife. Read More Purchase Antelope Hunt in the Desert Valley Panoramic Unprovenanced Reproduction of a Naqada II period pottery jar showing a herd of antelope in the mountainous valleys of Egypt. This is taken from an unprovenanced jar in the Metropolitan Museum collection dating to around c. 3650-3300 BC. Read More Purchase Antelope Hunt in the Desert Valley Unprovenanced Reproduction of a Naqada II period pottery jar in the Metropolitan Museum collection dating to around c. 3650-3300 BC. In the lower band, larger antelope with elongated tails and twisted horns are depicted amidst sedges or palm trees. In the central band smaller antelope with upright tails also run in a hilly environment, whilst above them is a stylised representation of hunting nets. Interrupting the recurring motif are the hunters; two men holding sticks who flank a woman or goddess. Read More Purchase The Bird to My Hand! Inherkhau and his Grandchildren Tomb of Inherkhau (TT359), Theban Necropolis Reproduction of a Dynasty 20 painting showing grandchildren playing at the feet of their grandparents from the Tomb of Inherkhau (TT359). Inherkhau is seated beside his wife Wabet whilst four of their grandchildren play with birds around them. The three girls and a boy are naked with shaved heads and sidelocks of hair, characteristics used in ancient Egyptian art to symbolise youth. Read More Purchase Isis and Nephthys Protect Tutankhamun Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction and colourisation of a scene from the rear panel of the second golden shrine of Tutankhamun, dating to 1324 BC. The sister goddesses Isis and Nephthys stretch out their protective wings to encircle the dead king. They recite spells that emphasise the rejuvenation and protection of Tutankhamun in the afterlife, whose names are given in cartouches. Read More Purchase The Creation of the World: Nut, Geb and Shu Theban Necropolis Reproduction of a vignette from a copy of the Book of the Dead belonging to a woman called Nestanebetisheru, dating to c. 950-930 BC (Dynasty 21-22). Nut, the sky goddess, is supported by the god of the atmosphere, Shu, who is aided in his task by two ram-headed deities. Her elongated body arches over the reclining figure of Geb, the earth god, with her feet touching the ground at the eastern horizon and her fingers at the western horizon. Read More Purchase Ramose's Wedding Guests Tomb of Ramose (TT55), Valley of the Nobles Reproduction of a wall painting from the Tomb of Ramose (TT55) in the Valley of the Nobles, dating to c. 1380-1360 BC in the 18th Dynasty. In the entrance hallway, this famous scene depicts Ramose’s wedding to his brother's daughter Meryt-Ptah. The high-status guests are all seated in couples upon cushions on lion-footed chairs. They wear fine linen clothes and elaborate wigs suitable for the important occasion. Read More Purchase Hathor in the Mountains Theban Necropolis Reproduction of an illustration from Chapter 186 of the Book of the Dead, discovered in the burial of the Royal Scribe Ani from c. 1250 BC. In this depiction, the goddess Hathor manifests in her sacred cow form, emerging from a thicket of papyrus amidst the pink cliffs of the Theban desert. Hathor, associated with music, dance, and fertility, was revered as a nurturing and protective deity in ancient Egyptian religion. The imagery symbolises Hathor's connection to the natural world and her role in guiding souls through the afterlife. Read More Purchase The Abydos King List Great Temple of Seti I, Abydos Reproduction of a wall relief from the Great Temple at Abydos dating to the reign of Seti I in c. 1290-1279 BC (Dynasty 19). The King List records the names of 76 rulers inside cartouches from the previous 1,600 years. The hieroglyphics describe the prayers that Seti and his son Ramesses are reciting for the past kings. Besides providing the order of the Old Kingdom kings, the Abydos King List is the sole source to date of the names of many of the kings of Dynasty 7 and 8. Read More Purchase Nebamun Hunting in the Marshes (Reconstruction) Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a tomb painting from the 18th Dynasty tomb chapel of Nebamun, with a reconstruction of the missing elements. Nebamun is shown twice, hunting birds in small reed boats in the marshes of the Nile with his wife Hatshepsut and their young daughter. Read More Purchase Anubis, Isis and Nephthys Inside the Embalming Tent Tomb of Siptah (KV47), Valley of the Kings, Thebes Reproduction of a wall painting from the tomb of Siptah, who ruled c. 1197-1191 BC during Dynasty 19. Filling the southern end of the second corridor is a vignette of Chapter 151 of the Book of the Dead which contains passages dedicated to the gods and goddesses that reside within the embalming tent. Read More Purchase Tilapia Fish Amongst the Lotus Flowers (The Marsh Bowl) Abydos, Tomb 949 Reproduction of a blue faience bowl found with a large group of vessels in a tomb in Abydos dating to Dynasty 18, c. 1550-1292 BC. It shows a marsh scene with water, fish, and plant motifs that symbolise the themes of fertility, rebirth, and regeneration. Lotus flowers, lotus buds, and papyrus plants are shown being circled by tilapia fish, whilst the wall of the bowl is decorated with swirling water-like patterns. Read More Purchase The Triad of Memphis Thebes Reproduction of a vignette from the Great Harris Papyrus which recorded the deeds of king Ramesses III in c. 1150 BC (Dynasty 20). Ramesses stands before the holy family of the ancient city of Memphis: Ptah, the patron of craftsmen, his consort the lion-headed goddess Sekhmet, and their child, Nefertum, god of the lotus. The king is shown making offerings to the resident deities, with hieratic text identifying each of the figures and recording his address to Ptah and the Memphite Triad. Read More Purchase Hippos by the River (Naqada Bowl) Mesaid, Mesaid Tomb 26 Reproduction of a prehistoric white cross-lined ware bowl from the Naqada I period (c. 3850–3650 BC). It depicts three stylised hippos gathered around a central rosette representing a pool of water with zigzag cliffs beyond representing the horizon. Wild creatures such as hippos and crocodiles are often found depicted on this type of pottery found in graves and it’s thought they were intended to impart their powers on the vessels' owners, granting them success hunting and protection from danger in the afterlife. Read More Purchase Seti Beneath the Persea Tree Great Temple of Seti I, Abydos Reproduction of a wall painting from the Great Temple at Abydos dating to the reign of Seti I in c. 1290-1279 BC (Dynasty 19). The kneeling figure of Seti holds a jewel out to the god Ptah, who sits in a golden shrine. The symbolism in the cunningly wrought jewel is asking for Seti to be granted millions of jubilees and unending life. Both Ptah and Re-Horakhty are giving their approval for Seti, and writing his name into the leaves of the Persea Tree to grant him eternal life and power. Read More Purchase The Sculptors' Craft Workshop Tomb of Nebamun and Ipuky (TT181), Sheikh Abd el-Qurna Reproduction and partial reconstruction of a wall painting showing a bustling craft workshop from the tomb of Nebamun and Ipuky dating to Dynasty 18. The top register shows a group of woodworkers building a catafalque. The middle register shows craftsmen working with gold and precious stones to create beautiful vessels, statues, and jewellery. The bottom register shows craftsmen making and working with metal, as well as specialist tasks such as drilling and carving beads and alabaster. Read More Purchase Queen Nefertari Making Offerings to the God Ptah Tomb of Nefertari (QV66), Valley of the Queens Reproduction of a wall painting from the tomb of Queen Nefertari, Great Wife of Ramesses II, in the Valley of the Queens dating to Dynasty 19. In this scene from the west wall of the first eastern annexe, Nefertari is making offerings of linen to the god Ptah, the creator god of weaving and crafts. Whilst it does not feature in the Book of the Dead, this depiction was included to ensure Nefertari would be well provisioned in the afterlife, with the blessing of the god. Read More Purchase Anubis Guarding the Tomb of Pashedu Tomb of Pashedu (TT3), Deir el-Medina Reproduction of a tomb painting from the Tomb of Pashedu in the worker's village of Deir el-Medina. The corridor to the burial chamber is guarded by a large painting on either wall of the god Anubis in the form of a black jackal, sitting alert on a shrine with cavetto cornices. Since the first dynasty of Egypt’s history in c. 3100 BC, Anubis was being depicted as a protector of graves Read More Purchase The Burial Chamber of Tutankhamun Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction of a painting on the north wall of the burial chamber of Tutankhamun dating to Dynasty 18, c. 1325 BC. It shows how Tutankhamun journeyed into the afterlife in three acts. In the first act, his mummy is prepared for the afterlife, in the second he meets the goddess of the sky Nut, and in the third, he is embraced by Osiris, the god of the underworld. Read More Purchase Floral Friezes from Theban Tombs Theban Necropolis Reproduction of various ancient Egyptian floral friezes and decorative borders discovered in Thebes' tombs. Four different bands are depicted from a range of tombs, containing decorative elements such as lotus flowers, grapes and vines. Read More Purchase Inamun Making Offerings to Osiris Abydos Reproduction stone stela from Abydos made in c. 747-656 BC which enabled votive offerings to be given to the deceased spirit of a woman called Inamun Nayesnebu. Inamun stands beneath the text wearing a fine linen dress and her natural hair fastened with a band. Before her is an offering table laden with bread, fowl, oxen and lotus flowers, upon which she is pouring a libation from a small bottle. The offerings are being given to the mummified human-headed god Osiris, who holds a flail and a sceptre and is wearing his distinctive plumed headdress. Read More Purchase Trio of Female Musicians Playing Music Tomb of Nakht (TT53), Sheikh Abd el-Qurna Reproduction of a detail from a painting in the Tomb of Nakht in Thebes dating to c. 1410-1370 BC depicting a trio of musicians taking part in the annual "Beautiful Festival of the Valley" celebration. Each woman has unique features that separate her from her companions and are playing different instruments, including a double flute, a lute, and a harp with an elaborate soundbox decorated with animal skin. Read More Purchase Maat, the Winged Goddess of Truth Tomb of Nefertari (QV66), Valley of the Queens Reproduction of the Goddess Maat based on a painting in the tomb of Queen Nefertari in the Valley of the Queens. The Ancient Egyptians believed the balance of the universe was determined by the presence or absence of maat, which had the meaning of rightness, truth, justice and order. Without maat, there was isfet or chaos, and Maat wears an ostrich feather on her head, which could be used alone as the symbol for her name, and is often shown with protective wings. Read More Purchase Iah-Thoth Recieving the Wadjet Eye Deir el-Medina Reproduction of a Dynasty 19 stela dedicated to the deceased spirit of Neferrenpet, a sculptor from Dier el-Medina, the workman’s village c. 1279-1213 BC. The inscription praises the healing power of the god Iah-Thoth, who is shown as an ibis-headed man, riding on the solar barque through the night sky. The god is being presented with a Wadjet, or Eye of Horus, by the baboon-form of Thoth, which represents the healing power and protection of the god. Read More Purchase Akhenaten, Nefertiti and Family Beneath the Aten Amarna, Akhetaten Reproduction of a Dynasty 18 stela found in a private home in Amarna depicting the heretical king Akhenaten and his family worshipping the sun god Aten. Akhenaten and his wife Queen Nefertiti are shown seated on cushioned stools bearing the sema-tawy symbol. Between them stands their eldest daughter, Meritaten and the younger daughters Meketaten and Ankhesenpaaten sit on Nefertiti’s lap. Above the royal family is the red disk of the sun god Aten, whose rays reach out towards the family and end in hands holding Ankhs, the symbol of life. Read More Purchase Userhat Beneath the Sycamore Tree Tomb of Userhat (TT56), Thebes, Theban Necropolis Adapted reproduction of a painting from the Tomb of Userhat in Thebes, Egypt dating to c. 1270 BC. In this scene, the deceased Userhat sits with his wife and mother in the shade of a colourful sycamore tree and drinks from three golden vessels. Before them is a table laden with offerings of fruit, vegetables and flowers, whilst their souls in the form of Ba-birds fly above their heads. Read More Purchase Userhat Beneath the Sycamore Tree with the Goddess Nut Tomb of Userhat (TT56), Thebes, Theban Necropolis Reproduction of a painting from the Tomb of Userhat, a wab-priest in the mortuary cult of Thutmosis I, dating to Dynasty 19. The deceased Userhat meets Nut, the goddess of the sycamore tree. He sits with his wife and mother sit in the shade of a colourful tree and is receiving the water Nut is pouring for them in three golden vessels. Before them is a table laden with offerings of fruit, vegetables and flowers, whilst their souls in the form of Ba-birds fly above their heads and stand on a T-shaped pool. Read More Purchase Hathor and Opet (Spell 186, Book of the Dead) Theban Necropolis Reproduction of an illustration of Chapter 186 of the Book of the Dead buried with the Royal Scribe Ani c. 1250 BC. It shows two protective goddesses welcoming Ani to his final resting place, a white pyramidion-topped private tomb nestled within the pink cliffs of the Theban desert. The goddess Hathor can be seen in her cow form emerging from a thicket of papyrus and is joined by the benign hippopotamus goddess Opet. Read More Purchase Tutankhamun and Ankhesenamun in a Floral Pavilion Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction of the backrest of the golden throne of Tutankhamun dated to Dynasty 18 (c. 1336-1327 BC), now in the Egyptian Museum, Cairo. One of the masterpieces of Egyptian art and workmanship, the throne features an evocative image of the young king with his wife, Ankhesenamun, in a floral pavilion. Picked out in a variety of precious metals and gemstones is Tutankhamun, reclining on a throne as Ankhesenamun rubs perfume into his shoulders from the bowl she is carrying. Read More Purchase Brothers or Lovers? Niankhkhnum and Khnumhotep Mastaba of Khnumhotep and Niankhkhnum, Saqqara Necropolis Reproduction of a tomb painting from the Dynasty 5 Mastaba of Khnumhotep and Niankhkhnum. On the western wall of the outer hall of their tomb is a striking portrayal of the two men in close embrace, their noses touching in a pose that is the most intimate allowed in Egyptian art. This has led many to speculate on the relationship of the two men; were they brothers? Twins? Lovers? If the latter were true, they would be the first same-sex couple recorded in history. Read More Purchase Stela of Kay, Head of the Desert Hunters Qamula, Thebes Reproduction of the Stela of Kay dated to early Dynasty 12 (c. 1976-1912 BC), now in the Neues Museum, Berlin. Picked out in raised relief is Kay, accompanied by an unnamed woman assumed to be his wife or mother Beshet, and five hunting dogs. The inscription is designed to give offerings to Kay for his afterlife and recounts his service to the king by patrolling the western oases and tracking down fugitives. Read More Purchase A Walk in the Garden Amarna, Akhetaten Reproduction of a relief usually referred to as a “walk in the garden” dating to Dynasty 18 showing an unknown pharaoh and queen now in the Neues Museum in Berlin. The pharaoh wears a blue curly wig and a white linen kilt tied with red sashes and is leaning on a walking stick. His queen is wearing a flowing white linen robe tied with red sashes and is presenting the king with flowers from the garden. Read More Purchase Tutankhamun's Death Mask Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction of the golden death mask of King Tutankhamun, one of the most iconic and captivating artefacts from ancient Egypt. Crafted during Dynasty 18, around 1323 BC, the intricately detailed mask was discovered in the pharaoh's burial chamber in the Valley of the Kings. The face of the mask represents the young Tutankhamun with delicate features and a serene expression, symbolising the pharaoh's peace in the afterlife. Read More Purchase Amenhotep I Deified Theban Necropolis Reproduction of the interior decoration of a coffin belonging to an unknown person who lived during the Third Intermediate Period, c. 1070-945 BC. Most of the interior is taken up with the image of King Amenhotep I in the guise of the mummiform Osiris, who is attended by a priest in a panther skin, a human-headed ba-bird representing the spirit of the coffin's owner, and a crouching mourning woman. Read More Purchase The Goddess Nekhbet in Vulture Form Mortuary Temple of Hatshepsut, Deir el-Bahri Reproduction of the vulture-form Goddess Nekhbet, originating from the Mortuary Temple of Hatshepsut at Deir el-Bahri. Nekhbet, often depicted as a vulture, held significant importance in ancient Egyptian religion as a protective deity, particularly associated with Upper Egypt. Her representation adorned sacred spaces, symbolising protection and divine guardianship over the pharaoh and the land. The vulture imagery evoked the nurturing and watchful aspects of the goddess, emphasising her role in safeguarding the king and ensuring the prosperity of the kingdom. Read More Purchase A Prehistoric Hippo Hunt, Naqada Bowl Unprovenanced Reproduction of a prehistoric white cross-lined ware bowl from the Naqada period (c. 3700-3450 BC). A man wearing a penis sheath and an animal’s tail can be seen holding two cords attached to harpoons now embedded in the face of the large hippo that faces him. A second smaller hippo, behind the first, shares the same fate. The zig-zag patterns represent the landscape the hunt is taking place within. Read More Purchase Khepri and Thoth’s Sacred Baboons Unprovenanced Reproduction of a relief panel of a sacred scene rich in solar and lunar symbolism dating to approximately 380–343 BC, during the Late Period–early Ptolemaic era. At its centre is Khepri, the scarab beetle deity associated with the rising sun, transformation, and rebirth. Flanking him are two baboons, creatures sacred to the god Thoth, who offer Wadjet eyes in an act of devotion and restoration. Read More Purchase Scribe Neqbed Praising Osiris and Nekhbet Afterlife Theban Tomb TT319, Thebes, Theban Necropolis Reproduction of a vignette from the Book of the Dead created for the royal scribe Nebqed, scribe of Ma'at in the house of Ma'at during the reign of king Amenhotep III around 1400 BC. Nebqed can be seen wearing standing before a pile of funerary offerings, including bundles of lotus flowers, baskets of fruits and grain, bread, fowl and cuts of meat. He wears a wig with triangular stepped sides, a white linen robe, and a scribal palette tucked into his belt. Read More Purchase The Feast of Nebamun: Music of Celebration Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a feasting scene from the tomb chapel of Nebamun in Thebes, Egypt, now on display in the British Museum. It shows a group of female musicians playing instruments, singing and clapping as they perform a song for the feast-goers. Read More Purchase The Feast of Nebamun: Singing in Celebration Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a feasting scene from the tomb chapel of Nebamun in Thebes, Egypt, now on display in the British Museum. It shows a group of female musicians playing instruments, singing and clapping as they perform a song for the feast-goers. Read More Purchase The Feast of Nebamun: The Entertainers Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a feasting scene from the tomb chapel of Nebamun in Thebes, Egypt, now on display in the British Museum. It shows a group of female musicians playing instruments, singing and clapping as they perform a song for the feast-goers. The words of the song dedicated to the gods Ptah and Geb are written above their heads. Read More Purchase Tutankhamun Pouring Perfume For Ankhesenamun Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction based on a small panel found on a golden statue shrine known as a noas found in the treasury room of Tutankhamun’s tomb dating to around 1324 BC. Tutankhamun is sitting on a lion-footed ebony folding stool and holds a bouquet of lotus flowers and mandrake fruits. He is pouring perfume into the hands of his wife and sister, Ankhesenamun, who holds it close to her nose as if to smell its fragrance. Read More Purchase Queen Nefertari, Goddess Isis and Beetle-Headed Sun God Khepri Tomb of Nefertari (QV66), Valley of the Queens Reproduction of a painting from the tomb of Queen Nefertari in the Valley of the Queens dating to Dynasty 19. The Great Wife of Ramesses II is being led by the hand of the goddess Isis towards Khepri, the beetle-headed sun god. Read More Purchase Queen Nefertari and the Goddess Isis Tomb of Nefertari (QV66), Valley of the Queens Reproduction of a painting from the tomb of Queen Nefertari, Great Wife of Ramesses II, in the Valley of the Queens dating to Dynasty 19. In this scene from the northeast wall of the vestibule, Nefertari is being led by the goddess Isis, who says: “By my hand, come, Great Wife of the King, Nefertari Meritenmut, true of voice, to a place in the sacred land”. Read More Purchase The Scribe Nebqed with Funerary Offerings Theban Tomb TT319, Thebes, Theban Necropolis Reproduction of a vignette from the Book of the Dead created for the royal scribe Nebqed, scribe of Ma'at in the house of Ma'at during the reign of king Amenhotep III around 1400 BC. Nebqed can be seen wearing standing before a pile of funerary offerings, including bundles of lotus flowers, baskets of fruits and grain, bread, fowl and cuts of meat. He wears a wig with triangular stepped sides, a white linen robe, and a scribal palette tucked into his belt. Read More Purchase King Den Running in his Heb-Sed Festival Tomb of Den (Tomb T), Umm el-Qaab, Abydos Reproduction of a label depicting one of the earliest known pharaohs, the Dynasty 1 king Den, as well as some of the earliest hieroglyphs. It was found in his tomb in Abydos and dates to around 3000 BC. The top register depicts the king running in his Heb Sed festival as well as seated on a throne, whereas the lower register depicts the destruction of enemy strongholds and the taking of captives. Read More Purchase The Offering Table of Watetkhethor Mastaba of Mereruka, Saqqara Necropolis Reproduction of a wall painting in the tomb of Watetkhethor, daughter of king Teti, dating to Dynasty 6 (around 2290 BC). It shows Watetkhethor seated in front of a table of offerings, whilst servants bring her legs of meat and birds to add to her piles of bread and gifts of flowers. The offering scene was the most important piece of art in an Ancient Egyptian tomb, as it provided the spells necessary for the deceased to continue eating and drinking in the afterlife. Read More Purchase The Pharaoh Seti with Horus, Thoth and the Two Ladies Great Temple of Seti I, Abydos Reproduction of a wall relief from a chapel in the Temple of Seti I, dating to Dynasty 19 (around 1290–1279 BC). The king sits between the Two Ladies, the vulture goddess Nekhbet of Upper Egypt, and the cobra goddess Wadjet, her counterpart in Lower Egypt, surrounded by symbols relating to the concept of unity. The ritual unification of the Two Lands is also symbolised by the sema-tawi symbol, combining a knotted papyrus plant representing Upper Egypt and a reed plant representing Lower Egypt. Read More Purchase Seshat, Thoth and the Persea Tree Ramesseum, Theban Necropolis Reconstruction of a partially destroyed wall relief from the Ramesseum, the mortuary temple dedicated to Ramesses II in Thebes dating from the 19th Dynasty. The scene depicts the deities Atum, Seshat and Thoth inscribing the name of Rameses into the fruit of the Persea, the sacred tree of Heliopolis. By doing this the gods are guaranteeing Rameses an everlasting reign and innumerable jubilees. Read More Purchase The Weighing of Hunefer’s Heart in the Presence of the Gods Theban Necropolis Reproduction of a vignette from the Ancient Egyptian Book of the Dead, taken from the Papyrus of Hunefer from c. 1285 BC. It depicts Hunefer during the Weighing of the Heart before the gods in the underworld and contains the spells he’d need to safely pass judgement by Osiris and the gods of the Ennead. Read More Purchase A Festival on the River Nile, Naqada Pot Unprovenanced Reproduction of a Naqada II period pottery jar in the Metropolitan Museum collection dating to around c. 3450 to 3330 BC. It depicts three boats travelling in procession within the Nile Valley landscape, with desert ibex shown in close proximity to flying birds and mountains, as well as flamingos surrounded by water plants. The boats each hold a different set of figures accompanied by individual standards, acting a ceremony or ritual and being observed by groups of people on the land nearby. Read More Purchase The Winged Goddess Isis Valley of the Kings, Tomb of Tutankhamun (KV62) Reproduction of the ancient Egyptian goddess Isis, with protective wings outstretched, taken from the golden shrine of Tutankhamun dating to 1324 BC. The hieroglyphics surrounding the goddess are spells from the Book of the Dead and Tutankhamun’s various names and titles are given in cartouches. Read More Purchase The Unification of Egypt (Narmer Palette) Hierakonpolis Reproduction of the Narmer Palette, an emblem of ancient Egyptian sovereignty from the time of the first pharaohs. Dating to the Early Dynastic Period, c. 3100 BC, this artefact symbolises the unification of Upper and Lower Egypt under King Narmer. Carved on schist, it depicts scenes of conquest and divine authority, showcasing the pharaoh's role as the intermediary between gods and people. Read More Purchase Tree of Life with Exotic Birds Tomb of Khnumhotep II (BH3), Beni Hassan Reproduction of a painting from the tomb of Khnumhotep II, a provincial governor in Beni Hasan, dating to 1900 BC. It shows the Tree of Life, a potent symbol and icon in ancient Egyptian mythology. The fruit of the tree was thought to provide eternal life and knowledge of the cycles of time. It is part of a much larger scene depicting Khnumhotep hunting in the marshes and netting birds. Read More Purchase Atum Repelling Apep in the Underworld Tomb of Ramesses I (KV9), Valley of the Kings, Thebes Reproduction of a scene from the ancient Egyptian Book of Gates showing the creation god Atum repelling the serpent of chaos, Apep (Apophis). The Book of Gates is a funerary text that narrates the passage of a newly deceased soul into the next world, corresponding to the journey of the sun through the underworld during the hours of the night. Read More Purchase The Opening of the Mouth Ceremony Theban Necropolis Reproduction of a vignette from the Ancient Egyptian Book of the Dead, taken from the Papyrus of Hunefer from c. 1450 BC. The mummy of Hunefer is supported by the god Anubis (or a priest wearing a jackal mask) whilst Hunefer's wife and daughter mourn, and three priests perform rituals. The two priests with white sashes are carrying out the Opening of the Mouth ritual (Spell 22). Read More Purchase Ramesses II as a Child Unprovenanced Reproduction of a bas-relief depicting Ramesses II in the pose of a child from the New Kingdom. Ramesses is depicted in the traditional pose of a child, seated on a soft cushion, his finger to his lips, and his head bare except for a braid of hair falling to one side. The cushion reproduces the hieroglyphic sign of the akhet or horizon. Read More Purchase Osiris, Isis and Nephthys Theban Necropolis Reproduction of a vignette from the ancient Egyptian Book of the Dead, taken from the Papyrus of Hunefer from c. 1450 BC. It shows the god of the underworld Osiris sitting within a shrine and flanked by his sisters Isis and Nephthys. He is listening to the evidence from Hunefer’s judgement and granting him admittance in the afterlife. Read More Purchase Dancing Girl Unprovenanced Reproduction of a dancing girl, taken from an ostracon fragment dating to c. 1200 BC, now in Museo Egizio in Turin. Dance held profound significance in ancient Egyptian culture. Dance groups were a common sight at dinner parties, banquets, and within the sacred halls of religious temples. Professional ensembles, comprising singers (ḥsı͗t), musicians (ḥnı͗t or ḥnwt), and dancers (ḥbw), often performed at important festivals and funerary services. Read More Purchase Thoth Holding the Eye Of Horus Medinet Habu Reproduction of a detail from a 20th Dynasty hieratic papyrus found in a tomb near Medinet Habu. Thoth, the god of wisdom and writing, is shown in his baboon form holding an Eye of Horus symbol. This refers to an ancient myth describing a battle between Horus and Set in which Horus´ right eye was torn out. Thoth magically restored Horus' eye, at which point it was given the name “Wadjet” meaning “whole”. Read More Purchase The Weighing of the Heart in the Hall of Judgement Theban Necropolis Reproduction of a scene from the Book of the Dead, taken from the Papyrus of Ani dating from c. 1250 BC. It depicts Ani during the Weighing of the Heart before the gods in the underworld and contains the spells he’d need to safely pass this judgement. Read More Purchase The Protective Wings of Isis Tomb of Tutankhamun (KV62), Valley of the Kings Reproduction of the ancient Egyptian goddess Isis, with protective wings outstretched, taken from the golden shrine of Tutankhamun dating to 1324 BC. The hieroglyphics surrounding the goddess are spells from the Book of the Dead and Tutankhamun’s various names and titles are given in cartouches. Read More Purchase The Creation of the World Thebes Reproduction of a scene from a 21st Dynasty mythological papyrus. The vignette illustrates the story of the separation of the sky (Nut) and earth (Geb) and the creation of the world. The solar boat, with its rudder, sails across the space between the two deities. Read More Purchase The Hymn to Ra: Isis and Nephthys Theban Necropolis Reproduction of a vignette from a 19th Dynasty copy of the Book of the Dead. The motif symbolises rebirth and the sunrise and shows the sun disc of the god Ra raised into the sky by an ankh-sign (signifying life) and a djed-pillar (signifying stability and the god Osiris). It is being adored by the sister goddesses Isis and Nephthys, and baboons. Read More Purchase Nebamun Hunting in the Marshes Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a tomb painting from the 18th Dynasty tomb chapel of Nebamun. Nebamun is shown hunting birds in a small boat with his wife Hatshepsut and their young daughter, in the marshes of the Nile. The hieroglyphic caption says Nebamun is "taking enjoyment (and) seeing good things". Read More Purchase Nephthys and the Sons of Horus Theban Necropolis Reproduction of a scene from the Book of the Dead, taken from a Dynasty 21 coffin belonging to a man called Nespawershefyt. The scene portrays the goddess Nephthys, accompanied by the four Sons of Horus, divine entities crucial for safeguarding and preserving the body in the afterlife. Qebehsenuef protects the intestines, Hapi guards the lungs, Duamutef watches over the stomach, and Imsety safeguards the liver. Read More Purchase The Feast of Nebamun: Celebrating Guests Tomb-Chapel of Nebamun, Theban Necropolis Reproduction of a feasting scene from the 18th Dynasty tomb chapel of Nebamun in Thebes. The plastered walls of the scribe's tomb were richly and skilfully decorated with lively fresco paintings, depicting idealised views of Nebamun’s life and activities. An entire wall shows a banquet in his honour. Naked serving girls and servants wait on his friends, colleagues and relatives, who are entertained by musicians and dancers. Read More Purchase The Goddess Hathor and King Seti I Tomb of Seti I (KV17), Valley of the Kings, Thebes Reproduction of a bas-relief from the tomb of Seti I, showing Hathor welcoming the dead pharaoh. This beautiful relief was part of the decoration of the tomb well-preserved tomb of King Seti I (KV17) in the Valley of the Kings. It depicts the Pharoah, Seti, walking towards the still figure of the goddess Hathor, who played an important role in welcoming the dead to the underworld and accompanying them into the afterlife. Read More Purchase

Seshat, Thoth and the Persea Tree Reconstruction of a partially destroyed wall relief from the Ramesseum, the mortuary temple dedicated to Ramesses II in Thebes dating from the 19th Dynasty. Purchase Print About the Artwork Reconstruction of a partially destroyed wall relief from the Ramesseum, the mortuary temple dedicated to Ramesses II in Thebes dating from the 19th Dynasty. The scene depicts the deities Atum, Seshat and Thoth inscribing the name of Rameses into the fruit of the Persea, the sacred tree of Heliopolis. By doing this the gods are guaranteeing Rameses an everlasting reign and innumerable jubilees. Art Ref DP024 Read My Article Available to purchase as Giclée Print Greeting Card Object Record Object Type Wall Relief Materials Date Period Dynasty 19 Findspot Ramesseum, Theban Necropolis Dimensions Current Location Ramesseum, Theban Necropolis Object Number People Depicted Ramesses II Deities Depicted Thoth (Djhutey), Seshat, Atum Animals Depicted Ibis Themes Love ancient Egypt? So do I. Sign up to be the first to hear about new artwork, behind-the-scenes insights, special offers, and the fascinating stories behind the pieces. Email* Subscribe I want to subscribe to your mailing list.