This artwork is a reproduction of a beautifully detailed bas-relief from the tomb of Pharaoh Seti I (r. 1294–1279 BC), one of the most elaborately decorated royal tombs in the Valley of the Kings. The scene illustrates a sacred moment between Seti I and the goddess Hathor, who was a major protective deity associated with love, motherhood, music, and the afterlife.

Hathor, revered as Lady of the West, stands on the left, depicted with her characteristic headdress, a sun disc cradled by the horns of a sacred cow, symbolising her divine connection to Ra, the sun god. She extends a menat necklace toward Seti I, a gesture rich in religious significance. The menat was not only an emblem of joy and fertility but also a symbol of protection, renewal, and divine favour. By offering it, Hathor is ensuring Seti’s safe passage into the afterlife and his continued existence in the divine realm.

Seti I, positioned on the right, is distinguished by his regal attire and symbols of kingship. He wears a finely pleated linen robe with elaborate beaded embellishments, reflecting the sophistication of New Kingdom royal dress. Draped over his shoulders is a red sash, a mark of status and power. His finely detailed jewellery, crafted in gold, silver, lapis lazuli, turquoise, and carnelian, reflects the wealth and artistry of the period. The uraeus cobra, prominently displayed on his brow, signifies his divine right to rule and his connection to Wadjet, the protector of Lower Egypt.

The border surrounding the scene is decorated with geometric patterns and multi-coloured bands, a hallmark of Egyptian tomb art, serving both an aesthetic and symbolic function—framing the sacred encounter while reinforcing the order and harmony of the universe.

Translation
“Hathor, Chief of Thebes, Mistress of the East.”
“Lord of the Two Lands, Menmaatre (Eternal is the justice of Ra), Lord of Appearances, the Osiris Merenptah (Beloved of Ptah), giving life like Ra forever.”